I'd be really interested to find out a bit about how the engraver collaberates with the glassmaker to produce such amazing final works.
The glass itself is so important - it must merge with, suggest and illustrate the design before it is finally put on.
I know that Allister Malcolm makes "blanks" for Jonathan Harris, and that Jane Charles makes "blanks" for Julia Linstead.
I find myself looking more and more at the work in the blank, behind the surface work these days.