I thought maybe these two pieces are of interest here, not sure if I should add them to the Studio Glass thread but I can always do so later.
The smaller one, the first image, i spotted in Germany and i liked it because it is, shape wise, so very different of what he has done for VSL before. The other one i got because i like its colours, partly iridescent shine and because it is such a whopper of a vase. It measures H 33cm/13" x D 26,5 cm/10,5" and it weighs 8 kgs.
Both pieces are signed Val Saint-Lambert - Samuel Herman and dated 1979. The smaller one is nr 252 and the large one nr 125.
Sam Herman has been invited by VSL on several occasions and on one of these, in 1979 he produced 300 one-off pieces for VSL, not for a specific series but all unique pieces. I did not know this until I came across the smaller one of the two and started looking in to it and found the info mentioned earlier. I was wondering what inspired him, how to call such a vase like the smaller one, how he coped with the weight

and basically, everything that I can find out about them ….so I thought, why not contact him? And so i did!

I received, very quickly I have to say even though he apologised, a very nice reply.
Dear Anne,
please excuse the delay in answering your email.
After looking at the photographs you sent me, I'm afraid that I'm unable in an exact way to determine when these pieces were made. I went to Val three of four different times. One time as you know I designed the El Dorado line. The other times I made my own individual pieces. Certainly, the smaller one you have is a very fine one. Unfortunately, I cannot say how many individual pieces I made at Val as it was a long time ago and I did not keep any records.
With regards to your questions, these pieces were made and sold before I could name them. I should state that I don't always name my pieces. The smaller piece is done with side prunts. This is achieved by dipping the body of the glass into the molten glass in the furnace. Of course adding colors and designs added at the right point of the build up of the work.
With regards to the weight of a piece and handling it, in my own studio I had the workbench very close to the furnace and made all my pieces by myself without any help. Most artists have assistance or a team to help them. In Val with big pieces I had lots of help in handling the glass.
My interest in the smaller piece that you own is that it showes that technique very clearly.
I hope that my explanation has been of some help to you.
Thanking you again for your interest and of course collecting my work.
With many good wishes.
Sam
It is very nice, and i have to say a bit unreal, to have a chat with the artist about the piece that you have standing in your living room but it does add something special...difficult to put in words.