The quality of the glass is fabulous. It's Chrysoprasglas - opaline uranium glass made around the start of this new process.
The way the foot is cut and the panel cutting is spot on and all done by hand/eye. Biedermeier.
This is a becher attributed to Annathal bei Schuttenhofen enamelled in a similarly 'sparse' style. If you click on the picture it should enlarge and then click again and it's even more close up so you can see the enamelling:
https://www.lot-tissimo.com/de-de/auction-catalogues/dr-fischer/catalogue-id-fischer10053/lot-c22198e4-9d93-4c69-b8ff-abed00d4b1c8See also this piece again attributed to Annathal bei Schuttenhofen c.1840 Chrysoprasglas (sold by Dr Fischer in 2015) - you can click onto it and enlarge it to see the enamelling:
https://www.liveauctioneers.com/item/37698483_sockelbecher-aus-chrysoprasglasYour piece is nearly 200 years old and will have lost some of the effect of it's gilding and enamelling over the years. I can see that in some of the photos.
This was a great period of development of glass colour and technique. For example there are some pieces that are from/ascribed to Annathal bei Schuttenhofen that are in colour combinations not seen from other glass houses; a period where Bohemian glasscutters were finding amazing new ways of cutting designs onto the glass in cameo cut basically to show the layered colour underneath; combining coloured glass in layers at this time was not easy to do - the chemistry between the colours had to be exact to avoid them annealing at different rates and breaking; this is shortly after the time that Neuwelt first found their own 'recipe' for making gold ruby glass; and only a few years after Buquoy developed their Agathin glas.
It was a most fabulous period for Bohemian glassmakers experimentation of new developments. And they won many gold medals and awards because they were brilliant at it
Your vase fits fine within that especially because it's Chrysoprasglas and also because of the cutting.