No-one likes general adverts, and ours hadn't been updated for ages, so we're having a clear-out and a change round to make the new ones useful to you. These new adverts bring in a small amount to help pay for the board and keep it free for you to use, so please do use them whenever you can, Let our links help you find great books on glass or a new piece for your collection. Thank you for supporting the Board.

Recent Posts

Pages: [1] 2 3 4 5 6 7 8 9 10
1
Glass / Re: ID Help for Covered Glass Bowl
« Last post by tonyatl on Today at 02:29:05 AM »
mystery solved. i found someone on ebay selling a very similarly composed item with its label for Bertino Hand made in California. Clean with damp cloth - just as mine has.
2
Glass / Re: ID Help for Covered Glass Bowl
« Last post by tonyatl on Today at 02:10:55 AM »
i also assume it to be hand blown as i do not see any seams.
3
Glass / Re: ID Help for Covered Glass Bowl
« Last post by tonyatl on Today at 02:07:34 AM »
well, christies sold a somewhat like minded glass vase by marcello fantoni. this is a commercial production and probably has nothing to do with him but the ideas are similar.
4
Glass / ID Help for Covered Glass Bowl
« Last post by tonyatl on Today at 01:56:00 AM »
I have an unusual glass covered bowl on round foot with short stem. the glass is green in the lime/avocado family covered with gold stringy webbing which forces a puffy bubbled shape to the glass. it is rather heavy for its size. It has a partial sticker on the underside which looks mid 20th C. Any guesses on maker or type of glass?
5
Glass / Re: Clear to Green Compote Help Needed
« Last post by tonyatl on Today at 01:46:35 AM »
Thank you for coming back to us.  It's a really gorgeous piece :)  Great design and colour use.

You say 'most likely HP Sinclair'.  Is there an evidence source for that maker at all? 

m


the conclusion is that of my appraiser whom i assume used comparable pieces to draw a conclusion. the glass is unmarked.
6
Yes, you are right, it is very similar. There is only one thing that makes me think it might be from elsewhere. I have seen quite some of these bottles here in Greece, and I would think that if they were brought here in the 18th century it would be more likely they came from Bohemia than from Switzerland? Of course all of them can be brought here later in 20th century by collectors... Here is one more example of "Milchglas" ( height: 14 cm) I found lately. Unfortunately it is damaged, but it has an interesting shape...
Mat
https://www.glassmessages.com/index.php/topic,52027.msg344854.html#msg344854


There is a vase of I would say almost identical shape (handmade variation notwithstanding) and very similar decoration in the book
European Glass, Peerage Books 1983, Text by Olga Drahatova, Photographs by Gabriel Urbanek, Drawings by  Ivan Kafka
on page 155:
'110/ Vase and inkwell of milk glass painted with enamel, northern Bohemia, Bor region, 3rd quarter of 18th century.'

m
7
Glass / Re: Topaz or Canary or Victoria
« Last post by flying free on Yesterday at 11:39:32 PM »

  A footnote in a glass club bulletin from 2012 concerning dating of American canary glass contains this statement: "Bohemian glass scholar Olga Drahotova claims that "yellow and gold uranium glass was introduced both in the Reidel and Harrachs Glassworks in northern Bohemia, and in the Sumova mountains in southern Bohemia, almost simultaneously". BOHEMIAN GLASS,1400-1989, p. 69. The authors use of the term 'claims" in this instance seems to minimize Olga's statement. I was wondering what you think.

It is a strange word for the glass club bulletin to choose :

 Information here on Olga Drahotová (1932-2021) in the Journal of Glass Studies 2021:
https://www.proquest.com/openview/c9d29e91949b464e26fb0eac87e79913/1?pq-origsite=gscholar&cbl=49252


however, it's possible it wasn't used in a way meant to minimize Olga's statement in the book, but perhaps used because as far as I could see there were no reference sources given specifically for that comment by her, so nothing for them to reference to? Perhaps that's why they used the word.


- In the book  Bohemian Glass 1990 English Text, Copyright Flammarion, the chapter written by Olga Drahotová page 69 says what you've mentioned above.


- Interestingly a few years later in Farbenglas 1, Neuwirth W, 1993, gives more detailed information (if I've understood it correctly) about developments of uranium glass:
page 277
Under the chapter heading 'On the History of Uranium Glass'
'In the Uranium Compounds in Industry' (glassmaking and porcelain painting) of 1963,Franz Kirchheimer devoted an illuminating chapter pointing to a large number of early sources connected with the subject (Kirchheimer, 1963, p. 274ff.).  The ...'


Further on she says:
'...Some authors of specialised contemporary literature mention the use of uranium in glass-making on in passing or not at all. To draw the conclusion from this, that uranium was not used before 1840 to colour glass, would be incorrect.  It can be proved that the 'composition glass factories' of Bohemia knew about uranium's power to color glass - already before 1835 - at Blaschka, as can be gathered from surviving accounts ...'
She then lists in detail numerous surviving accounts which include uranium.

at the end of the paragraph it says:
'... If we assume - and there appears to be no evidence to the contrary - that these terms came about at the same time as the "raw compositions," we find the term "Annagrun" already before 1835; can it therefore still be connected with Anna Riedel?'

Neuwirth also says on page 277 'The history of uranium glass lies in obscurity'.





8
Glass / Re: Topaz or Canary or Victoria
« Last post by flying free on Yesterday at 10:46:53 PM »
  museumcollection.winterthur.org/index.php#.Y1cHFS2ZP1x corrected link from above.Hopefully.

There are many violet glasses in that link - lovely colour.
I did note they say 'Stiegel - probable maker'.  Is that what you  meant?
There is also an interesting blog piece on Stiegel glass here, regarding the difficulty of identifying the glass from there v glass from abroad:
https://twipa.blogspot.com/2021/08/henry-william-stiegel-manheim-and.html

The Met says this:
'Henry William Stiegel, who operated the American Flint Glass Manufactory from 1765 to 1774, was the first successful producer of glass tableware that was the equal of European imports. The diamond-daisy pattern in this amethyst-colored pocket flask was probably made by Stiegel; the pattern was not used by European glassmakers. Many variations of this popular design exist, as seen in other pieces in the collection (see 1980.502.68 and 34.65).'
https://www.metmuseum.org/art/collection/search/6635

The daisy is interesting - on this from Spiegl:
http://www.glas-forschung.info/pageone/pdf/farbglas.pdf
it looks the same as this one for example in the Winterthur it seems to me?
http://museumcollection.winterthur.org/single-record.php?resultsperpage=20&view=catalog&srchtype=advanced&hasImage=&ObjObjectName=&CreOrigin=&Earliest=&Latest=&CreCreatorLocal_tab=&materialsearch=&ObjObjectID=&ObjCategory=Glass&DesMaterial_tab=&DesTechnique_tab=&AccCreditLineLocal=&CreMarkSignature=&recid=1959.3095&srchfld=&srchtxt=stiegel&id=c49e&rownum=1&version=100&src=results-imagelink-only
9
Glass / Re: Topaz or Canary or Victoria
« Last post by flying free on Yesterday at 10:24:46 PM »


  I think making your cullet as a separate batch unusual and a extra expenditure of time and materials. Possibly " fugitive" ingredients would be fired out or at least stabilized. Probably unnecessary if you have enough of your formula on hand as cullet [glass rejects, etc.]. It was customary to buy outside cullet in this country as they were not in the business of making cullet. By and large this seemed to have worked well in general practice. A large batch using an oxide  somewhat difficult to attain you may not want to take the chance.

 

I'm probably misunderstanding or talking at cross purposes (because I don't have a grasp of chemistry for glass making so I probably shouldn't be discussing this at all to be honest ), but Pellatt mentions on page 78 (apologies I have realised the link I gave didn't go directly to this page in his book) within his discussion on how uranium glass is made, his regret that Klaproth doesn't give specific gravities in his analysis. Elsewhere in the book he mentions the uranium glass they made breaking and all having to be replaced.  So it just doesn't sound that easy to make.
10
Glass / Re: Topaz or Canary or Victoria
« Last post by cagney on Yesterday at 04:13:58 PM »
  museumcollection.winterthur.org/index.php#.Y1cHFS2ZP1x corrected link from above.Hopefully.
Pages: [1] 2 3 4 5 6 7 8 9 10
SMF spam blocked by CleanTalk
Visit the Glass Encyclopedia
link to glass encyclopedia
Visit the Online Glass Museum
link to glass museum


This website is provided by Angela Bowey, PO Box 113, Paihia 0247, New Zealand