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Recent Posts

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11
Glass / Re: Topaz or Canary or Victoria
« Last post by cagney on Yesterday at 03:26:10 PM »
  There is a host of other convincing data to attribute these bottles to Stiegel. It is this notion: "that pocket bottles with overscale floral designs were made on the continent  BUT THERE IS NO KNOWN COROLLARY FOR THE DIAMOND-DAISY MOTIF, AND IT APPEARS TO BE A UNIQUELY AMERICAN DECORATION". Now debunked? Absolutely new information.  This bold statement has been glass gospel for the last thirty years and still propagated to this day. Someone is not doing their homework. You may be pleasantly surprised if you go to this link museumcollection.winterthur.org/ingex.php#.Y1cHFS2ZP1x and enter Stiegel in the search bar in the glass section.

  I think making your cullet as a separate batch unusual and a extra expenditure of time and materials. Possibly " fugitive" ingredients would be fired out or at least stabilized. Probably unnecessary if you have enough of your formula on hand as cullet [glass rejects, etc.]. It was customary to buy outside cullet in this country as they were not in the business of making cullet. By and large this seemed to have worked well in general practice. A large batch using an oxide  somewhat difficult to attain you may not want to take the chance.

  A footnote in a glass club bulletin from 2012 concerning dating of American canary glass contains this statement: "Bohemian glass scholar Olga Drahotova claims that "yellow and gold uranium glass was introduced both in the Reidel and Harrachs Glassworks in northern Bohemia, and in the Sumova mountains in southern Bohemia, almost simultaneously". BOHEMIAN GLASS,1400-1989, p. 69. The authors use of the term 'claims" in this instance seems to minimize Olga's statement. I was wondering what you think.
12
Glass / Re: Josef Svarc Thistle Vase - Close copy or real thing?
« Last post by chopin-liszt on Yesterday at 01:44:29 PM »
Comparing the cut on this vase to a Svarc bell I have, I'm afraid it is very different.
The top of your thistle has far too many thin spikes. My Svarc has 5 small mitre cuts, and above that, very fine parallel curved lines set at random angles to emulate the thistledown.
Under the  thistle, my Svarc has a sort of cut gooseberry/bulb swelling shape made from three cuts, satinated on the outside two cuts.
The "leafy part" at the bottom is a very abstract bundle of cuts of different depths and lengths.

Your vase is pretty, but I do not think it is Svarc.
I once found a pressed glass tray that also looked as if the Svarc thistle pattern was the inspiration, it was made from a very poor quality yellow glass and although the pressing was complex, it was not finished off nicely.
It is a spectacular and famous design. It is bound to be emulated.
13
It might be, and I think the fact the rim is curved outwards on the bowl must have made it more complicated and difficult to engrave upon because of the angle. However the goblet is  also engraved by someone different I am pretty sure(the crown details are completely different) and it's impeccably engraved by comparison to the crown on the uranium bowl and ice plate.
Also the plate was flat - no difficulty on size or angle on that piece and yet the crown is engraved with the same details as the bowl.
There is a vast difference in quality of the engraving of the crown I think .
Also there is a lovely rose on that goblet in comparison to the flowers on the plate.  It's interesting to compare style.

The more I look at the uranium bowl the more I think it is likely it was produced as a cut piece designed with just the cutting,  and then later engraved with the garland and  later still with the crown and part City arms.

I am no expert but to me the garlands on the bowl look to have been engraved by a good engraver.  The crown and City arms look to have been by someone different. And the fact the arms are incomplete makes me think there wasn't room to add them to an already existing design.


14
Glass / Re: ID: ~7" tall, square, brown-green vase (not WF)
« Last post by WhiteHound on December 06, 2024, 10:29:32 PM »
Thanks for the replies. First, an apology: I somehow mis-entered the height – it should be 6¾" (is there a way of editing a post? A help page for Simple Machines says "select the Modify link or the icon", but I can't see either...).

Sasaki looks plausible, although I'm not certain: mine has the same "style" of colouring as the vase in bark vase in tequila sunrise, which may be Sasaki, but my base is noticeably squarer than that example (and the one linked in the first response).

However, searching down the Japanese route (which I didn't know was "a thing" before your responses) led me to Tajima. As far as I can judge, the shape and texture appears to be a near 100% match to Tajima Japanese Bark Textured Red Cased Glass Vase on 20th Century Glass (and the revised height matches), and my colours appear to be the same as Tajima Japanese "Best Art Glass" Textured Bark Amber & Green Glass Vase from the same site.

Unless more experienced minds say otherwise, I think I'll go with Tajima.
15
Glass / Re: ID: ~7" tall, square, brown-green vase (not WF)
« Last post by Ivo on December 06, 2024, 01:19:10 PM »
Sasaki if I remember well.
16
Glass / Re: ID: ~7" tall, square, brown-green vase (not WF)
« Last post by Lustrousstone on December 06, 2024, 09:28:28 AM »
Japanese I think
17
Glass / Stemware with 'H.' Marked on the bottom. Is H the maker ID?
« Last post by cubby01 on December 05, 2024, 11:54:51 PM »
I have a set of 6. All marked the same.  They are 8-1/2" (21.5cm) tall.  I thought the H may be Heckert but I can't find another example marked this way.









Im not sure why the link isn't working from here.  Its been a while since I posted to glassmessages.
18
Glass / ID: ~7" tall, square, brown-green vase (not WF)
« Last post by WhiteHound on December 05, 2024, 11:00:40 PM »
Hi,

New to GMB; relatively new to glass: I have a few pieces of Whitefriars, but wouldn't (yet) call myself a collector... Hope someone can help identify a vase I got a few months ago.

It's just under 7¾" tall (169mm), is roughly square (outside size is 2¼", ~58mm) and the glass about 4mm thick. Top half is lightish brown; bottom is a darker green. Texturing is similar to the Whitefriars bark pattern. Base is smooth: no pontil nor any registration mark that I can see.

I was fairly certain it wasn't Whitefriars when I bought it (I just liked it), and from a quick scan of these boards, I thought it might be Ingrid glass, but I came across this post by rocco saying that they hadn't seen any two-colour Ingrid glass.

Can anyone shine any light, please?
19
Glass / Re: Info on James Powell Topaz glass - "The Queen Victoria Topaz bowl"
« Last post by Ekimp on December 05, 2024, 10:09:22 PM »
Scaling off the photographs and using the declared object heights, I reckon the crown on the goblet is about twice the size as that on the uranium bowl, so much easier to engrave the detail.
20
Glass / Re: Info on James Powell Topaz glass - "The Queen Victoria Topaz bowl"
« Last post by flying free on December 05, 2024, 09:24:28 PM »
Looking again at the crown and the way it's engraved on the bowl, in the link below is a goblet in the V&A that they say is possibly Apsley Pellatt.
https://collections.vam.ac.uk/item/O4287/wine-glass-apsley-pellatt/#object-details
There is an engraved crown on it which can be seen and the V&A say there are also the arms of the City of London, which cannot be seen.
The crown is impeccably and beautifully engraved by comparison to the crown on the uranium bowl:
https://collections.vam.ac.uk/item/O4287/wine-glass-apsley-pellatt/#object-details

bowl and plate here for comparison:
https://collections.vam.ac.uk/item/O2170/finger-bowl-davenport--co/?carousel-image=2006BE8998

There is a stark difference in the way the crown is engraved.
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