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61
British & Irish Glass / Is Bagley pressed glass ever marked?
« Last post by neilh on June 17, 2025, 06:14:51 PM »
I was reading an article recently on Bagley, which concentrated on their bottle production. Apparently many or perhaps all of their bottles are marked with "B & Co Ltd" or something similar. They may additionally have a K for Knottingley. Do we know if their pressed glass ever bore similar marks? I'm more interested in their earlier stuff than 1930s Art Deco. The article I read suggested they started with table glass around 1912.
62
Glass / Signed Azurene glass vase. ID if possible please
« Last post by createdbear on June 17, 2025, 05:35:08 PM »
Can any members ID this vase please. It is seven inches tall and signed to the base. Trouble is, the signature is hard to read. I thin the last part of it is glass or could it be renowned glass man Harris? Quite dark in colour; grey/silver and blue with gold patches...typically Azurene. The lines are cut in to the glass. I have uploaded a pic of the signature. Any help appreciated, as always, thank you.
63
British & Irish Glass / Diana Newnes, glass engraver - information
« Last post by chilternhills on June 17, 2025, 03:31:20 PM »
Isle of Wight Glass Museum recently bought a piece of engraved glass by Diana Newnes for the collection since I was informed that she was based on the Isle of Wight, at least in the mid 1970s. I hadn't heard of Diana before and would like to share what I have found out about her as well as post some pictures of the item. There is very little available online that I could find and nothing is here on GMB. Perhaps someone here will know more.

There was a paragraph about an exhibition of Diana's work at Broadfield House in 1984 in The Glass Cone No.2 June 1984 p.6.

Quote
Graven Glass

From the 22nd of May until the 24th of June an exhibition of engraved glass by Diana Newnes will be held at Broadheld House Glass Museum. An illustrated folder about Diana's engraving with advice on commissioned designs is available from the museum priced £1.50 incl. p&p. Diana Newnes trained as an artist in watercolours and pastels and pursued a career for several years in graphic design and magazine layout as an Art Editor in publishing. In 1963 Harold Gordon inspired her in the art of copper-wheel engraving and by
1965 she established a small studio and continued to develop her own highly personalised skills and style. In 1983 she took a sabbatical year to expand her expertise in hot glass and explore further uses of glass decoration especially architectural stained and engraved glass.

The Glass Bibliography (https://www.glass-study.org) includes a brief abstract of the exhibition catalogue.

Quote
Newnes, D. (1984). Graven Images by Diana Newnes for Gifts & Presentations. UK: Author's Edition. 

Abstract
Diana Newnes designs have been exhibited at Asprey, Baccarat, Orrefors and others. Published in association with the Broadfield House Glass Museum. Folder, 18 loose leaves b/w.

That is all I know at the moment.

The ashtray was made in 1977 for the Queen's Silver Jubilee. Only two of these ashtrays were made to commission, one for the person from whom I bought it and the other was made for her sister. It measures 15.8 cm across x 3.7 cm high. The engraving is nicely done, with plenty of fine detail.

Anton
64
Glass / Re: Small shot glass with thread decor
« Last post by Mosquito on June 17, 2025, 12:46:10 PM »
Agreed: certainly seems to be an early and unusual example. I've been through several catalogues but haven't found anything similar. I didn't find much in my various glass books either, though Ivo's 'Miller's Glass Fact File a-z' gives 'acid engraving' as an alternate term for needle etching. He gives a date of 1857 for the first mass commercialisation of the technique by Richardson's. Interestingly, he also states that needle etching was first developed in Germany, but gives no specific details.

Morris's 'Victorian Table Glass and Ornaments' has a whole chapter on etched glass in which she states the earliest used of acid etching is usually attributed to Thomas Hawkes of Dudley who was producing glass plates with gold enamelled decoration combined with acid etching in the mid 1830s. Benjamin Richardson previously worked for Thos. Hawkes before improving the process and overseeing the mass production at Richardson's noted above.

The quality of these older acid engraves/needle etched pieces vary considerably: Morris shows some very fine pieces, possibly hand scribed or made using a more precise plate etching method (such as that developed by J. Northwood), and dating from the third quarter of the 19th century.

Looking at your glass, the seemingly fixed height (amplitude) and consistent 'wavelength' of the wavy lines looks mechanical (maybe similar to what the modified lathe used in Richardson's early production could achieve, or perhaps possible by using a simple transfer, but far below the level of intricacy possible using later transfer- and plate-etching processes). You can also see the alignment (or phase) drifts as the glass widens, as well as where the straight horizontal bands start and finish, so again, I agree with Christine in that there was likely some degree of hand scribing at play.

From what I've read so far, I'd be thinking mid 19th century as the likely date, both based on the chunky design of the glass itself and the seemingly early style of needle etching, especially when contrasted with the finer and more consistent styles of etching that are seen from the last quarter of the 19th century onward. I'm by no means an expert in this area, however...

65
Glass / Re: Small shot glass with thread decor
« Last post by Lustrousstone on June 17, 2025, 07:57:11 AM »
Looks like early needle etching to me and done at least semi-manually as the pattern is quite uneven (not something normally seen in plate etching). The form of the glass is also quite crude.
66
USA / Some of the earliest all pressed table ware
« Last post by cagney on June 17, 2025, 03:34:09 AM »
  These plates are usually dated around 1828, give or take a couple years . Heavy thick lead glass. The edge thickness varies between 1/2 in. and 1 ln. unlike later [lacy] plates and bowls which use a cap ring in conjunction with the mold. The cap ring prescribes the thickness of the rim and sometimes the design as well. Last photo shows a later sauce dish molded using a cap ring and one of these plates and the difference in the edge.
67
Glass / Re: Could this studio vase be Australian?
« Last post by Anne on June 15, 2025, 11:05:03 PM »
A much better size, thank you for adding it. I don't recognise the signature but someone else may do so.
68
Glass / Re: Small shot glass with thread decor
« Last post by Kailikesglas on June 15, 2025, 04:58:14 PM »
Thank you very much, even if it is not as old as I had hoped, it remains a rather rare vacation souvenir for me.
I think i can confirm the needle etching. If i trace the decor with a fine needle, it really sticks to the groove so it is not a relief.

Have a nice sunday!
69
Glass / Re: Small shot glass with thread decor
« Last post by Mosquito on June 15, 2025, 01:54:27 PM »
Thanks for the extra pics. having seen more detail, the glass certainly looks to me to have been needle-etched. This technique is most commonly seen from the late Victorian period (1880s) through the first quarter of the twentieth century, though apparently the first experiments with needle etching date back a little further with, according to this article, the first primitive machine being used at Richardson's in 1855 for decorating lighting globes: https://cambridgeglass.org/crystal-ball-article/96crystalball275b/ This article also talks about the techniques used.

70
Glass / Re: Small shot glass with thread decor
« Last post by Kailikesglas on June 15, 2025, 01:09:27 PM »
Hi,

thank you very much for the response. I`m sorry, i just failed to add the other pictures. I have attached them on imgur now including a picture with a small blemish where i think that a thread was accidentally applied.


Greetings Kai!
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