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Recent Posts

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91
Glass / Re: Stretched vase. Maltese? Signed. Any ID please?
« Last post by createdbear on December 21, 2024, 10:35:39 PM »
That's it Suzy...you got it. Thank you. And I can see 'Valletta' in the signature too. The search is finished. Thanks to Sue and Suzy for your help.
92
Glass / Re: Small glass pillars - what are they and what are they for?
« Last post by chopin-liszt on December 21, 2024, 05:47:39 PM »
Knife rests seconded.  :)
They can come in many decorative forms, not all are made from glass.
93
Glass / Re: Small glass pillars - what are they and what are they for?
« Last post by Shinyglass on December 21, 2024, 03:12:48 PM »
Thanks. I had a look online at cutlery rests, and I think you are right. Going through the books, the cut looks like Clare by Waterford, but without a maker's mark it is hard to be sure.
94
Glass / Re: Small glass pillars - what are they and what are they for?
« Last post by Lustrousstone on December 21, 2024, 11:55:15 AM »
Knife (or other cutlery) rests I think. These are pressed glass one http://lustrousstone.co.uk/cpg/displayimage.php?pid=2012
95
Glass / Re: Robinson Skinner? Open Salt
« Last post by Lustrousstone on December 21, 2024, 11:50:19 AM »
You mean these No 3 piano insulators http://lustrousstone.co.uk/cpg/displayimage.php?pid=2928
96
Glass / Small glass pillars - what are they and what are they for?
« Last post by Shinyglass on December 21, 2024, 11:48:25 AM »
A question from a friend at a shop, so not my glass, but I'm baffled too.

These are two identical small solid glass cylinders with rounded ends. They narrow towards the middle, and have a hexagonal profile so they can stand on their sides, and narrow. The ends are rounded, but have star-cuts so they can stand upright. There is severe wear to them, and they have no visible maker's mark. The sides of each cylinder alternate with toothed patterns and cross-hatching. They are each about 3-4inches long and just under an inch wide at the widest.

The maker would be great to have, but does anyone who what these are for? Our guesses have been everything from curtain weights and pot holders, to chopstick stands so far, and I'm stumped.

(I've asked for more photos, so they should follow shortly)
97
Glass / Val Saint lambert vase in petrol blue
« Last post by Tehewanek on December 21, 2024, 12:49:56 AM »
Hi all!

I recently bought a vase that I suspect to be designed by Charles Graffart for Val Saint Lambert.

I searched in some catalogues but I can’t find this vase. Do you recognise it or are you able to tell me when it was made?

I think the cut style and petrol blue colour are characteristic for VSL.

Let me know you thoughts! Isn’t it beautiful
98
Belgium and the Netherlands Glass / Val Saint lambert vase
« Last post by Tehewanek on December 21, 2024, 12:48:26 AM »
Hi all!

I recently bought a vase that I suspect to be designed by Charles Graffart for Val Saint Lambert.

I searched in some catalogues but I can’t find this vase. Do you recognise it or are you able to tell me when it was made?

I think the cut style and petrol blue colour are characteristic for VSL.

Let me know you thoughts! Isn’t it beautiful
99
Glass / Re: Linen Smoother 1840 or 16th / 17th century - Gribdae Farm Kirkudbright
« Last post by Ekimp on December 20, 2024, 10:31:20 PM »
Maybe a Marunnu Kallu.

I had a search for this as there was a modern pottery pestle in a linen smoother shape with a small flat mortar in a charity shop. It was a studio pottery type thing. The ones made out of stone or pot would have more bite than smooth glass so maybe better for grinding than glass. Perhaps glass could be used more for crushing than grinding.
100
Glass / Re: Topaz or Canary or Victoria
« Last post by flying free on December 20, 2024, 10:09:46 PM »
Repeating this from the Queen Victoria thread just in case it is of interest:

The Chemistry of Pottery etc etc.
The chemistry of the several natural and artificial heterogenous compounds used in manufacturing porcelain, glass and pottery.
- Simeon Shaw, published 1837 , printed London W. Lewis & Sons Finch-Lane.

See pages 503 (Flint glass onwards) - 507



I'm not suggesting the glassmakers of the day turned to Simeon Shaw's book to work out how to produce their own glass, however, this was published in 1837 in London -  and there does not seem to me (unless I have misunderstood or misread) to be any mention of uranium in any of the 'recipes' for glass colours.

Remember Queen Victoria's banquet at Guildhall was November 1837.

Uranium did seem to be mentioned in conjunction with enamelling pottery if I've read it correctly.  But there didn't seem to be mention of using it to colour glass.

In the making of 'Topaz' glass it mentions including 'Gold-Colored'.  Referring back up the page to 'Gold-color there is no mention of using uranium to produce it.



Referring back to my post #61 ,
'...Some authors of specialised contemporary literature mention the use of uranium in glass-making on in passing or not at all. To draw the conclusion from this, that uranium was not used before 1840 to colour glass, would be incorrect.  It can be proved that the 'composition glass factories' of Bohemia knew about uranium's power to color glass - already before 1835 - at Blaschka, as can be gathered from surviving accounts ...'
She then lists in detail numerous surviving accounts which include uranium.


I wonder if it was known how to produce uranium glass  in Bohemia prior to 1840  .... but not in England.
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