(http://glassgallery.yobunny.org.uk/albums/userpics/10318/normal_DSCF0316.jpg) (http://glassgallery.yobunny.org.uk/albums/userpics/10318/DSCF0316.jpg) | (http://glassgallery.yobunny.org.uk/albums/userpics/10318/normal_DSCF0317narrow.jpg) (http://glassgallery.yobunny.org.uk/albums/userpics/10318/DSCF0317narrow.jpg) | (http://glassgallery.yobunny.org.uk/albums/userpics/10318/normal_DSCF0320.jpg) (http://glassgallery.yobunny.org.uk/albums/userpics/10318/DSCF0320.jpg) | ||
(http://glassgallery.yobunny.org.uk/albums/userpics/10318/DSCF0317narrow.jpg) (http://glassgallery.yobunny.org.uk/albums/userpics/10318/DSCF0317narrow.jpg) Click any image to enlarge. Please respect my copyright of these images and texts. | John Walsh Walsh Vesta Venetian Pedestal Bath Salts in Orange / Opalescent This bath salts has the standard Walsh Vesta Venetian rib count of 18/18, as you would expect for the main jar, and the same rib count for the lid, not always the case. The main jar was shaped using a two-part wooden shape mould, as I have another example of this bath salts in blue / opalescent, and the main jar element is identical in shape and size. It is possible that all Walsh Vesta Venetian was shaped in this way as it explains how the projecting ribs are always transferred to the inside. See here (http://www.glassmessages.com/index.php/topic,23747.0.html) for images of a similar process. Height — Overall 15", 38cm; jar 10¾", 27.2cm; lid 5", 12.7cm. Weight — Overall 1lb 13¼oz, 828g; jar 1lb 4½oz, 582g; lid 8¾oz, 246g. See here (http://www.glassmessages.com/index.php/topic,21889.0.html) for a discussion on a similarly coloured example of Vesta Venetian. In particular:- ... later a much brighter orange was used and this was apparently temperature sensitive as was the Kügler red they [Monart] used. The orange shading from yellow through oranges and red is rarely found consistent through a single piece, often shading to orangey-red. If this Walsh clear orange was temperature sensitive, you would expect the colour inside the much thicker lid to be more concentrated and deeper than the colour inside the jar, although Frank made the cautionary comment by email after a preview of these images that it could be a replacement lid, always a possibility, but, I think, unlikely. See:-
I believe the case for this Walsh orange being a temperature sensitive glass reasonably well-established by this piece, although more examples would be useful. Thanks to Frank for his input. |
Has anyone any ideas of a name for or possible origin of this eclectic shape?
Rambling around the internet, I discovered that they first appeared in Baghdad in the late Middle Ages, hence the Oriental appearance.