(http://glassgallery.yobunny.org.uk/albums/userpics/10318/normal_DSCF1311.jpg) (http://glassgallery.yobunny.org.uk/albums/userpics/10318/DSCF1311.jpg) (http://glassgallery.yobunny.org.uk/albums/userpics/10318/normal_DSCF1312.jpg) (http://glassgallery.yobunny.org.uk/albums/userpics/10318/DSCF1312.jpg)
(http://glassgallery.yobunny.org.uk/albums/userpics/10318/normal_DSCF1313.jpg) (http://glassgallery.yobunny.org.uk/albums/userpics/10318/DSCF1313.jpg) (http://glassgallery.yobunny.org.uk/albums/userpics/10318/normal_DSCF1314.jpg) (http://glassgallery.yobunny.org.uk/albums/userpics/10318/DSCF1314.jpg)
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H. exactly 4½", rim d. exactly 2½", foot d. exactly 2½", w. 5oz 143g. Seven neat panel or flake cuts to the bowl. Partly ground out and polished pontil scar. Considerable genuine wear to the foot. Note that the double step at the base of the top knop was hot worked, not cut (see final image).
The construction of this glass puzzles me. I think that the top knop was a collar between the bowl and stem, and the foot was applied to the stem, making it four-piece construction — but I am not at all sure. Inside the top knop is a small C-shaped bubble. The base of the foot around the pontil mark seems to be the natural glass surface.
It's a delight to hold and drink from.
Bernard C. 8)
PS — Note that I've used British in the Victorian sense inclusive of Ireland.