I finally cracked and bought one of the Sherdley kingfisher bowls discussed here previously (eg
http://www.glassmessages.com/index.php/topic,1963.0.html).
Haven't got round to photographing it yet, but here's the links Anne E B posted to her pics (hope you don't mind, Anne):
http://i5.photobucket.com/albums/y195/glassie/amber006.jpghttp://i5.photobucket.com/albums/y195/glassie/amber002.jpghttp://i5.photobucket.com/albums/y195/glassie/amber005.jpgI haven't been able to find out much about Sherdley's other pre-WWII production, other than some very undistinguished pseudo-cut glass and utilitarian kitchen items for Woolworths.
But I did come across a reference in the catalogue for the 1987 Broadfield House exhibition
British Glass Between the Wars to two bowls exhibited by UGB/ Sherdley in the 1935
British Art in Industry exhibition at the Royal Academy, one depicting a gazelle and the other with a floral design. Both were designed by Harold Stabler (1873 –1945, Keswick School, Royal College of Art, Poole Pottery:
http://encyclopedia.jrank.org/Cambridge/entries/061/Harold-Stabler.html), who also designed the Orlak heat-proof range for Chance (
http://www.chanceglass.net/).
I can't find any more detail on the floral bowl, but there is a picture of the gazelle bowl in the illustrated souvenir of the exhibition:
http://glassgallery.yobunny.org.uk/displayimage.php?pos=-7507Mod: edited to include correct URL Three questions on which I'd welcome in-put from others:
did the gazelle bowl ever go into production, or was it designed solely for the RA exhibition? Has anyone ever come across an example?I think there are some stylistic similarities with the kingfisher bowl - in particular, the rather naive quality of the design - which might suggest that Stabler designed the kingfisher bowl also - the timing is about right (kingfisher bowl registered in early 1936). Or is that just wild speculation?has anyone ever come across the mysterious floral bowl?
Many thanks in advance,