See
A FINE ENGLISH ART GLASS EPERGNE late 19th centuryHmmmm — interesting. I think it is worth pointing out the unused locking flange on the central flute metalwork that should lock the tabs on the metal sockets on the side flutes into a standard large screw-up epergne block and fitting. Whatever, this is not the epergne as originally supplied. As for when it was reassembled — I don't know. It could be recent or have been done many years ago. Sadly, someone is likely to end up with a mix-and-match creation that is worth a fraction of what he or she paid for it. It is not surprising that it is being sold through a conventional auction house to avoid seller liability.
So, what was it originally?
I could be wrong, but I think it was a Walsh
Water Lily epergne, reg no. 409769 of May 9, 1903 (see Reynolds; Gulliver; and Sotheby's
Royal Brierley Collection of March 3, 1998, misattributed here for which Simon Cottle later apologised), in Walsh's 1920s
Primrose. The block could have been either 1+3 like Walsh's early ornamental registered design for use with a mirror plateau (see Gulliver) or 1+6. The 1+3 version would have had a third side flute, possibly with a large lightly waved dark green waterlily leaf resting centrally on the plateau. The 1+6 version could have had a variety of configurations involving leaves and flower buds.
I am known for generally not commenting on live auctions. However, in this case, the item is being presented to potential buyers by an experienced auction house that should have noticed and noted the item's peculiarities. It doesn't even appear to be properly assembled in the one photograph supplied!
Caveat emptor is fine, but this is pushing it!
As the details above as at the time of posting here.
Bernard C.
