Just to expand on Frank's reply, the piece is marvered (rolled on a flat metal surface) in ground glass that (I'm assuming here) has a higher melting point; at any rate it fuses to the object without melting. There are lots of ways of applying color at the furnace, and many involve marvering; all glassblowing involves marvering at some point. I don't know if there's a more specific term for your decoration. The same technique is used in "overshot" glass, but the glass bits are bigger and melt more.