Anne — I wouldn't attach too much significance to the colour of the plinth. I recall Adam telling us that at Sowerby they welcomed a pot of black glass as more or less any scrap coloured glass could be thrown in, including Carnival. If you happened to have a lot of blue scrap, then you would end up with black glass like yours. I've had a similarly coloured Davidson No. 4 plinth through my hands.
I've seen your plinth before, but I can't recall seeing it with any obvious go-withs. I would have first thought of a Central European origin. You might try browsing around Pamela's websites.
Note that true intensely black glass, as Thomas Webb used on pieces for the Rembrandt Guild, is rather different.
Bernard C.
