My precious baby Fish is NOT for sale.
It's a bit lumpy and bumpy, but you can see how the colours and movement all work together beautifully. At this point in time, Michael Harris had only had a year or so's experience working with hot glass, basically teaching himself from scratch - given that, it's an ambitious and complicated piece, his talent, innovation and enthusiasm just shine through.
Frank, I'm not exactly sure what you're saying. We are talking GLASS, albeit nicely, in a friendly manner.
I will try to get better pics of the other things when I am able - it may well be a good week or so. I only have very limited energy, most of which is used up with just the basics of living.
I thought it best to use what I already have to illustrate, after all, it's links, not taking up server space here, rather than just letting it go.
I did think this facted inside-out should not go uncommented.
It's a scarce and important piece of glass from the early Studio Glass movement.
Thank you to everybody for the nice comments!