I'm not really seeing any white anywhere, and not in any pieces I have. What I do "see" (remembering that the brain constructs what "we see" for us, rather than actually telling us exactly what we do see) is streaks of paler stuff, which could be from the silver being stretched. When silver chloride gets hot, it melts into a liquid, it does not stay as a powder.
Silver reacts with glass at much lower temperatures than molten glass can reach, it was a big problem, and one William Walker and Michael Harris eventually solved while working on Azurene. I have a couple of very early bits from before it was sorted and they show a white appearance. I don't have any pics to hand.
I don't know how they avoided the high temperatures that cause reactions in Murano, or if they have ever made the technique/method public knowledge.