I had an unusual early experimental thing, which I later discovered was a zig-zag bowl, without the zig-zags. A half-finished thing. It had weird spotty silver deposits on the outside some not shiney, but a bit rough and greyish. I am sure they're not tin, tin does something
differently spotty on the surface.

What is going on on your surface in this reminds me of that a bit.
Something else you might notice is that it should be fairly finely blown glass - not the usual thick Mdina at all. So it was made by somebody who was really quite good at it, especially for that time period...
I don't know for certain who it might have been.
But I am going very green around the edges.

One of the main reasons all bits of Mdina are unique is because they actually made their own colours by adding metals to the batches they melted. They didn't buy ready-made and consistent colours from other sources. So the actual colour could easily vary from one melted pot to the next.
Early on, they also had a lot of trouble sourcing cullet. They ended up using old milk bottles and that was unfortunately, a rather sludgey yellowy green colour rather than a nice clear for casing. They did not have good quality materials to work with, so you have to try to take that into consideration when judging the overall quality of a piece.
I like to compare it to remembering that Rembrant had to make his paints from crude materials too, and I don't dismiss his work not being like modern acrylics!