I have been looking at acid etching in British Glass 1800-1914 by Hajdamach, specifically Northwood’s work on pages 184/185. This consists acid etched line boarders, shaded between borders with frosting. Reading about Northwood’s earlier technique, Hajdamach says:
“The effects produced by Northwood’s [acid etching] machines consisted only of outlines. If the areas inside the figures were to be shaded the glass was passed to the engraving shop. Broad copper wheels were used to matt [or frost] the surface...” [my square brackets]
He does go on to say this was a time consuming process but I presume this would primarily be because they were shading by hand between complex lines rather than covering an expanse of surface without interruption. Northwood then develops an acid etch frosting treatment used in conjunction with resists (which was a quicker process in this application) that was applied in a similar way to that described by flying free in reply #41 above.
On page 185 of Hajdamach, Plate 166 shows a Northwood jug with the mechanical frosting c1862 and Plate 167 a goblet with the acid frosting. The mechanical frosting on the jug looks to cover a large area representing the ground on the lower half of the jug in addition to the detail of the leaves and animals etc. Hajdamach shows that mechanical abrading was a technique used in 1862, purely to frost a surface.