Further to my two previous posts on the crown perfume bottle in the Bentley Priory collection - some thoughts:
The Queen Victoria uranium bowls thread on the board was started because there was reference to James Powell making the uranium glass bowls (from the Museum of London). The bowls are now in the V&A and are noted as by Davenports in the V&A caption.
In the early discussion on that thread, it was noted that apparently Powell's had made Queen Adelaide Candelabra with topaz drops (uranium?) given to her by Lord somebody (maybe Howe? can't remember his name)
see here:
https://www.glassmessages.com/index.php/topic,70066.msg390276.html#msg390276According to this reference page 241:
https://www.glassmessages.com/index.php/topic,70066.msg394529.html#msg394529Harrach showed Gold topaz table lights (candelabra?) in 1835 in gold topaz which I think is referred to as being Chrysopras composition (i.e. uranium glass?)
So - some potential for Harrach to have been the producer of the (uranium glass?) gold topaz drops candelabra given to Queen Adelaide?
And some potential for Harrach to have been the maker of the crown perfume flacon in the Bentley Priory collection apparently given to Queen Adelaide?
But then there is also this - sale by Bonhams of a crown perfume bottle with cross stopper sold as by Apsley Pellatt:
https://www.bonhams.com/auction/21728/lot/57/an-apsley-pellatt-crown-scent-flask-and-stopper-circa-1825/It's interesting for it's similarities to items in the From Neuwelt to the Whole World book, specifically:
- the stopper cross is what appears to be almost identical to the stopper cross on the crown flacon on page 109 plate 115
- the cutting design of the bottom part of the body down to the foot is very similar to the design of a becher engraved by Dominik Biemann p 135 plt153
- the repetition of cut parallel lines close together down the bands of the crown is similar to that device used on a becher on page 97
However there were also these three sold via Christies:
https://www.christies.com/en/lot/lot-2016714Terrible photograph so very hard to see details to compare.
But the Corning has this one which appears to be the same or very similar to the bottle in the middle of the Christie's sale photograph but with a different now cross shaped stopper - wow - this is confusing!

Corning has it as possibly by Frederick Carder and says it was made by Stevens and Williams:
https://glasscollection.cmog.org/objects/32023/scent-bottleAnd lastly this rather beautiful and fun piece:
https://delomosne.co.uk/index.php/product/p19-3-a-fine-and-rare-crown-scent-english-c-1820/https://delomosne.co.uk/index.php/product/p19-3-a-fine-and-rare-crown-scent-english-c-1820/This too reminds me of many items in the Harrach book. The stopper cross especially I think the same as the one on the bottle on page 109.
In fact it could be an optical illusion but there appears to be a triangle shape of cut pattern in the lateral band of small diamond cutting band above the foot. That design with the lateral band and the triangle is identical to the one shown in the book.
Perhaps they were all making very similar designs

For comparison - this is a scent bottle in the V&A with Apsley Pellatt Patent marks on it apparently referring to the patent for the press moulding - has pressed medallions of King William and Queen Adelaide.
The marks on it are quote "'W.IV.R / Patent ADELAIDE / Pellatt & Co. PATENTEES' (Maker's mark referring to the press-moulding patent of 1831)":
https://collections.vam.ac.uk/item/O249780/scent-bottle-and-apsley-pellatt/Apologies - I fear this is a digression from the topic of the thread!