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Recent Posts

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31
Glass / Re: Textured surface vase
« Last post by chopin-liszt on April 16, 2025, 05:50:36 PM »
But not made in the old-fashioned way, using dangerous chemicals.
The difference is kind of like the difference between oils and acrylics. :)
32
Glass / Re: Textured surface vase
« Last post by NevB on April 16, 2025, 03:29:02 PM »
Sue, Leslie Pina's Italian Glass book defines scavo as "Surface covered with half melted glass powders mixed with sand", so apparently a fairly simple process. There are lots of Lafiore "scavo" pieces on Ebay.
33
Glass / Re: Textured surface vase
« Last post by chopin-liszt on April 16, 2025, 12:22:21 PM »
The crystalex vase looks like Matthey crinkles - and is on exactly the right sort of item, but melted a bit more than the "sharp sugar-like" stuff that was on the squash glasses and hyacinth vases.
So if that is the same as your vase, I imagine it would be "well-melted" Matthey Crinkles after all.

Nev, Scavo is a very complicated and dangerous technique used to make glass appear old and having been buried for centuries.
Although there are modern, safer ways of producing a similar appearance used by companies such as LaFiore and it still seems to be called scavo.
I'm not getting the sort of detailed description of the technique I'd like to find, but I have found this discussion about trying to do it, with loads of warnings, on a forum of beadmakers.

http://www.lampworketc.com/forums/showthread.php?t=9579
34
Bohemia, Czechoslovakia, Czech Republic, Austria / Moser Bowl identification
« Last post by MoserBowel553 on April 16, 2025, 12:05:59 PM »
Hello

I am in possession of a Moser bowl that I am trying to get more information about, but can't find anything about it online. I contacted Moser who told me that the bowl is "cut on 18 edges and drank purple" and that it's product number is "553", a number I found on the box that it is stored in. However, they couldn't find any more information about it.

I have attached a few photos of the bowl - you can see the Moser marking on the underside - and the label on the box.

There appear to be some incredibly resourceful people in this chat board, so hoping someone can uncover something insightful.

Thank you!
Rob
35
British & Irish Glass / Re: Sowerby frosted cream jug
« Last post by MHT on April 16, 2025, 09:44:48 AM »
This jug was copied not only in America but also in Belgium.

Small article from my website:
http://www.victorianpressedglass.com/gallery_mystery.htm#14

Mike
36
Glass / Re: Textured surface vase
« Last post by NevB on April 16, 2025, 07:27:46 AM »
Could your vase be the "scavo" technique? There are some posts on here about Murano makers but also Lafiore, Mallorca.
37
Glass / Re: Textured surface vase
« Last post by essi on April 15, 2025, 08:57:32 PM »
Sometimes called 'Sugar glass', the distinctive texture was created using a technique of glass enamels called 'Crinkles' which was patented by the Johnson Matthey company in 1938. It was probably also used by Kristalunie Maastricht to produce the Oranje-appel vaas by W.J.Rozendaal in the same year. After the war it was sold to glass factories under license in various countries, including Chance Glass (UK).

After the war, (and Kristalunie's decision to abandon the product), de Rupel produced these colourful textured glasses in large quantities. They are an iconic element of 1950's table glass.

The individual layers for crinkles and gilding were applied by hand, and although most Boom glasses seem to have four glided bands at the top. The glasses were made in a wide range of colours, which were probably selected 'to order' according to the wishes of wholesale buyers. Design and colour choices were to some extent also left to the individual decorators.
Tim
38
Glass / Re: Textured surface vase
« Last post by essi on April 15, 2025, 08:54:44 PM »
Found this.https://www.hogelandshoeve.be/pix295/cristalor1s.jpg
Just need to find a manufacturer now......
Tim
39
Glass / Re: Textured surface vase
« Last post by chopin-liszt on April 15, 2025, 07:06:58 PM »
Yes. Those horrible feeling squash glasses.  ;D
Through muslin puffing of powder would produce the effect you have. I'm not getting much off the web, I know about this because I have the Wedgwood Fairyland Lustre book, and it was in the days of Daisy Machaig-Jones starting up with Fairyland that she encountered this way of applying the enamel background.
You'll find the texture on the dragon bowls that slightly pre-empted Fairyland.

As you can imagine, the melting powder might well run on a ceramic item when in the oven, but I don't think it's neccessarily going to do that on another glass surface.

It's the only way I can think of that your sort of much smaller and smoother than the sugar crystal sharp bits of the crinkles, could have been applied successfully.

https://www.etsy.com/uk/listing/1338710398/blue-fruit-lustre-bowl-wedgwood-designed?ref=sold_out-7&frs=1&logging_key=1f13266ca512ed5e0c25b5c837cf00ba934d7206%3A1338710398

40
Glass Paperweights / Re: Looks Like Mdina, But Signed NBK?
« Last post by chopin-liszt on April 15, 2025, 06:48:35 PM »
I think this might be another "incarnation", and there might be another still.
I know what bit of glass it's on. I'm not sure where to find a photo of it. I'm relying on stuff rescued from windoze 7, rescued from 95. Can't work any of this new stuff

The bottom line is you really do not need to worry about your "signature". It tells you it was regarded as a good thing when it was made, if the mark was made at the factory. And it looks well enough done that I don't think it was "done at home by the owner". They'd have made a mess of it if they didn't have any engraving or dremmelling experience.
 :)
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